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My next task was to add detail to the cacti. Firstly I used a blueish green, with Cerulean Blue, Lemon Yellow, Titanium White and a touch of Burnt Umber, working into the shadow areas of the cactus.
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Next I mixed a mid tone yellowish green, using Cadmium Yellow Medium, Ultramarine Blue, and a little of the grey I had used on the boulders, to tone it down. This was painted onto the barrel shaped cactus and the Cereus.
I began working on the spiny edges of the Echinopsis using a darker mixture of the same pigments. The highlights set in a lattice type pattern were in a cream colour mixed with Titanium White and Yellow Ochre.
The Prickly Pear was worked into with the earlier blueish green, using a dry-brush technique to suggest its texture.
It is always good to stand back and look at the effect of one's work from a distance. Especially when you get to notice a new giant waterlily flower opening beside you!
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Below is a photograph which 'went wrong' ... I don't know what I did, it was supposed to be true to colour, but I rather like the green effect!
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